Arturia Mini V delivers the sonic weight and complexity of its namesake, without the hassles of a vintage instrument. Remix 'When it comes to copping 'that' sound, the Mini V does not disappoint, and it then builds on that solid foundation with some new twists to the original MiniMg that most of us could only dream about years ago.
/whats-auto-tune.html. In Beauty and the Beast, for example, Auto-Tune was applied to Emma Watson’s singing voice.Soprano and Classic FM presenter Catherine Bott said of the recording: “I’m really sorry that the studio hasn’t had the courage of their convictions, and has tinkered with Emma Watson’s fragile but pleasant voice.
With Pigments 2’s new Sample Engine, drag & drop a sound or sample into any of its six sample slots. Loop, reverse, and edit them to create textures unique to your sound.
Refine your sound with the Sample Engine’s Granular Synthesis mode. Control the shape and movement of your sample to produce creative soundscapes.
Pigments 2 includes an intuitive sequencer and arpeggiator so you can program evolving rhythms, melodies, and bouncy bass lines. The updated sequencer has a revamped Random mode, sparking unplanned musical joys.
Pigments’ striking sound comes from the unique fusion of analog and wavetable synthesis. Use its three-oscillator analog engine or its complex wavetable engine separately or stacked together, depending on what you’re looking to achieve.
Pigments is designed with a modular mindset, meaning you can easily modulate nearly any parameter with anything else. Put an LFO on a filter cutoff, use function generators to control delay time, and generally make your sounds move more with just a few clicks.
Pigments includes dozens of the acclaimed filters from Arturia’s V Collection, dead-on emulations of the classic hardware filters like the M12, SEM, Mini, and the newly added LowPass Gate. This means Pigments can produce warm, analog lines both new and familiar.
Pigments is packed with FX that are made to be stacked with proper insert and send routing options. The three FX engines have three slots each, which include distortion, multi-filter, parametric EQ, compressor, reverb, delay, overdrive, wavefolders, bitcrushers, chorus, flanger, phaser, stereo pan, and a new Tape Echo effect based on Arturia’s Delay Tape-201 fx.
Explore over 600 presets designed by professional artists and sound designers including Robert Dudzig, Jeremy Savage, Starcadian, Cubic Spline, Mord Fustang, and Jörg Hüttner. Explore each preset intuitively, or refer to its included notes and contextual highlights to see what’s possible.