Beginner’s Guide to Autotune in GarageBand In this beginner’s guide, i’ll show you how to use autotune in GarageBand for macOS. Love it or loathe it, Autotune (or pitch correction) is. Mar 21, 2016 In GarageBand 10.0.3 you can tune a voice using the Track Editor. Select your vocal track, then open the Track editor(the scissors icon), and select either the complete track or a region i the track. In the Info panel you will now see the 'Limit to Key', Pitch correction, or flex. Dec 03, 2019 Autotune in Garageband is pretty limited, however, it works great for what it is. It’s incredibly simple. You just want to do a few things. Make sure you’ve selected the correct key signature, click the box that says, “Limit To Key,” and adjust th.
Before we begin, I just have to be completely honest and say I’m not an expert in the use of pitch correction or auto-tune, because I rarely use them, however, I recently had to, so I figured I’d share what I learned.
In today’s tutorial, I’m going to show you how I recently used pitch correction in the manner consistent (at least in sound) with Travis Scott and other hip-hop artists of the day.
Pitch-correction is almost always used in the recording process, and every artist uses it, from metal bands, rock bands, pop singers, and so on and so forth.
Similar to ghost-writers and professional producers/writers working on your favorite artist’s latest record, it’s just a part of the business and it’s a part of how the game is played at a high level.
Without further ado…
First things first.
You need to know the key signature of the music. This should be the first step you make.
If you want to know the key signature of the song, I just find the tonal center of the music, and then I play the notes of that scale.
For instance, when I jammed along to Dave East’s “Type Of Time” recently, I knew it was in the key of C Minor (relative major: Eb Major).
I figured it out, just by searching around on my guitar for the note on which the entire song is built, and then I played the natural minor scale up from the root note, carefully listening for each note to hear any dissonances.
If you don’t know anything about major or minor scales, I suggest checking out MusicTheory.net, as they have great tutorials for beginners to music theory. Also, Mark Sarnecki’s book, which I wrote about here.
You can also use the tool, TuneBat.com.
TuneBat is a pretty good resource for quickly finding the key signature of a song. They have quite a bit in there.
Personally, I like figuring it out for myself that way I don’t have to depend on the software, however, if you’re only a music producer rather than a musician, sight-reading or improvising skills really aren’t that important.
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1) Open a new project/already existing project.
2) Hit (Command + Option + A) to bring up an Audio track.
3) You’ll see down in the Smart Controls the way the Audio looks in wave format, in addition to a few different settings including, “Limit to Key,” and “Enable Flex.”
4) From here, what you want to do is hit the “Enable Flex” and “Limit Key” check-boxes to ensure that when you record some vocals or other music, the pitch correction tool will come in keep everything in the key.
5) At this point, I’m sure you’re already familiar with the key signature option at the top center of the DAW, but for the sake of clarification, I’ll speak of it anyway.
Just go up to the top-center where it displays the beats per minute, measure, time signature, and the tempo. You can adjust the key signature from there.
6) Now, if you want to make auto-tune work in the style of, say, for example, T-Pain, you’re going to need to know the key signature of the track in which to sing.
7) Depending on how much auto-tune you want to use, you can adjust the pitch correction on a 1-100 scale within the Smart Controls.
If you put it all the way to 100, that’s obviously the most amount of pitch-correction you can use.
8) The next step is to begin recording your vocals, and then listen to how the pitch correction tool has changed the way your vocals sound.
In the Instagram post below, you can see what it sounds like without pitch correction and with the pitch-correction all the way up to 100.
The first thing that you hear is the out-of-key version of “Stargazing” from Travis Scott.
You’ll notice when I say the word, “Stargazing,” it sounds out of key. But then after I adjust the pitch the correction to 100 it starts to sound good.
In conclusion, the steps I laid out above is how you pitch-correct a vocal track. However, if you want to use auto-tune as a creative tool in the style of Travis Scott, then there are additional details.
It’s worth mentioning that between 65 and 75 is the best range for the pitch correction tool if you’re just trying to correct those imperfections.
Also, it’s best to give the best singing performance possible, because the pitch correction tool works at its most optimal when the notes are only slightly off.
If you just sing wildly out of tune, the benefit of using the pitch correction software is lost. You can try it for yourself some time to see what I mean.
For this, it’s pretty much the same thing as the steps listed above, but we have to add a few more effects, including delay, reverb, and a bit of compression as well, actually, probably a lot.
For the sake of clarity, I’ll run through these steps once again.
1) Bring up your audio track using the (Command + Option + A) function.
2) Click on the Audio Region.
3) Click on Track.
4) Check both boxes, “Limit to Key,” as well as “Enable Flex.”
5) Hit Record on your Audio Track, and then record yourself singing whatever it is that you want to sing.
If I were you, I would make sure that you have the “Feedback Protection” box clicked, just in case.
Also, if you’re going to use your computer’s built-in microphone, you’ll have to plug headphones in due to the fact the microphone and built-in speakers are too close to each other.
If you plan on actually making legitimate vocals, obviously, it’d be a much better option to use a good microphone. From what I understand, Shure is kind of like the industry standard.
Moving on…
6) Turn the pitch-correction all the way up to 100 that way it’s working as much as possible.
7) Go into your Plug-ins, and select the options, Compressor, Platinum Verb within the Reverb options, the Stereo Delay, as well as the Channel EQ
8) First, go into your EQ, and EQ the audio track so it looks like the image I’ve laid out below.
You can see that the Lows have been boosted considerably, as well as the highs, and then the mids are cut out almost completely.
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9) Then, go into your Compressor and set it at the settings you can see below in the image.
10) For the Platinum Verb, I just keep it at the default setting.
11) Now that you have your final track, you can see that it kind of has that Washed out with Reverb/Robot style which is Travis Scott’s style. I don’t mean that derisively, those are just the mannerisms that come to mind.
12) For the next step, you want to copy and paste your audio track into two new duplicate tracks, however, you’ll pan the one to the left and one to the right using the pan buttons that look like this.
13) After this, make sure you turn off the Delay off the two duplicate tracks because otherwise, there will be too much of it.
Effects like Reverb and Delay kind of add up on top of each other, so make sure to not over-use these features.
Setting up pitch correction and auto-tune in iOS isn’t much different from how you’d do it on the Mac.
Without further ado.
1) The first thing you want to do, is hit the option, “+” on the top right-hand side of the screen when you first open up Garageband iOS.
2) Select the option, “Audio Recorder.” 2
3) Now, you’ll come to a little dial in the center of the screen that kind of looks like a children’s toy. Choose the Golden Microphone option titled, “Extreme Tuning.”
4) From there, go into the drop-down menu on the top-left hand of the screen and click on the “Extreme Tuning” icon.
5) Then, click on the setting that says, “Vocals.”
6) Choose the option “Lead Vocals” from there.
7) We now have five dials from which to choose, Tone, Pitch Control, Compressor, Drive, and Vocal Hall.
6) Hit the dials (that looks like a Gear) of the top-right hand side of the screen, and then click on “Track Controls,” which
7) Add a little bit of Reverb and then Delay.
8) You can adjust the compressor up or down, depending on how much you want to equalize the sound.
9) From here, as I mentioned in the tutorial above, you need to figure out the key signature of your song. Considering the fact it’s the song you’ve likely written, you’ll know what the key is.
10) If you need to adjust the Key Signature, click on the icon that looks a gear, then choose “Song Settings.” From there, you can see where it gives Tempo and Key Signature options.
If you’re using someone else’s song, try TuneBat.com.
***Having the proper key signature set up is an important detail because it gives the pitch correction software a standard by which to measure and adjust.
If you have the wrong Key Signature, auto-tune won’t work properly because the tool will adjust the wrong notes to the wrong pitch.
Assign a MIDI controller and start tweaking!Finally, let’s not forget the easiest-to-use compressor you’ll find anywhere. Great for guitars, drums and plenty more!There’s also a warm, smooth analogue-style low-pass filter with buckets of resonance. Turnado vst crack. It can ‘phatten’ up your sound as quickly as you can turn up the ‘Amount’ knob! It offers two characteristically different distortion sounds which can be blended together to create a wide variety of tones and textures.
***There’s also an Application that you can download called, “Voloco,” which acts as a harmonizer and pitch correction tool. I don’t think it’s that necessary frankly, but you can try that out.
You can refer to the Instagram post above if you want to hear the final product.
As I’ve mentioned before, probably the most important things to remember when using auto-tune and pitch correction are as follows:
And that’s pretty much it.
Anyway, I hope this helped you out. Make sure to share it on your social media if you enjoyed it.
Until next time.
When using Extreme Tuning, set the key of your song in GarageBand before applying the effect for best results. You can then additional effects like echo or reverb.
Extreme Tuning uses your song's key and scale settings to apply the effect. If the actual key or scale of your song differs from the key or scale setting, the effect might be less pronounced, or might change the pitch of individual notes in the track in undesirable ways.
GarageBand songs defaults to the key of C.
Extreme Tuning is optimized for male and female voices, but you can apply it as a creative effect to any mono audio track, like a bass guitar or other live instrument.
To access the Extreme Tuning setting:
To add additional effects like Reverb or Echo: