Introducing the Roland SH-101 Software Synthesizer plugin – a complete reproduction of the iconic Roland SH-101 monosynth. Control Voltage with the SH-101 PLUG-OUT for AIRA SYSTEM-1m. Control Voltage is used in modular synthesizers and is the way in which each module interconnects and “speaks” to each other. SH-101 PLUG-OUT Introduction. Positive Grid Bias FX 2 Elite (Win) Bias FX 2 Elite (Jul/2019) Positive Grid V2.1.6 (Jan/2020 Updated) Everything in Professional plus: 100 New Amplifiers Total 100 New Effects Total 200 New Factory Presets Total Guitar Match – Elite (18 Guitars) New HD Racks (8 New Racks Total) New Fuzz Modeler New Time Modeler New Harmonizer Modeler BIAS Pedal Distortion, Delay, Modulation Create. Roland Cloud is an evolving cloud-based suite of software synthesizers, drum machines, and sampled instruments for modern creators. Introducing the Roland SH-101 Software Synthesizer plugin – a complete reproduction of the iconic Roland SH-101 monosynth. Sounds of the Roland Software Synthesizer Plugins. Now you can add the classic SH-101, SH-2, PROMARS, SYSTEM-100, and new AIRA SYSTEM-1, made by Roland, to your arsenal of software instruments.
|Oscillator||1 VCO with 3 simultaneously mixable|
waveforms : Pulse with PWM, Saw and
Sub wave (selectable -1 Oct. Square,
-2 Oct. Square or -2 Oct Pulse)
The Pulse wave can be modulated by
LFO, by Envelope or manually
Noise is also available at the oscillator
|LFO||1 LFO: triangle, square, random|
and noise waveforms
|Filter||1 resonant VCF, modulated with|
ADSR, LFO, keyboard tracking
and/or bender controller
|Attenuator||ADSR envelope, triggered by|
gate or LFO
|Storage memory||100 step sequencer|
|Effects||Arpeggiator (up, down, up/down)|
|Left-hand control||Bender assignable to VCF frequency|
and/or pitch as well as pitch bend and
mod wheels on attachable handle
The Roland SH-101 is an analog synthesizer manufactured by the Roland Corporation between 1982 and 1986. Though it was a commercial failure, it became a staple of electronic music in the 1990s, particularly house music.
The SH-101 is monophonic, meaning it can only play one note at a time. It has a single oscillator and a sub-oscillator, a low-pass filter, a mixer allowing users to blend different waveforms plus a noise generator, and an arpeggiator and sequencer. An ADSR envelope generator controls the filter and VCA, and the filter, VCA, pitch and pulse width can be controlled with an LFO. Users can attach an optional handgrip with modulation controls and shoulder strap to play the SH-101 as a keytar, and it could also be powered via battery. According to MusicRadar, the SH-101 has 'snappy and razor-sharp' bass, 'squelchy and expressive' leads, and a 'piercing yet smooth' filter.
The SH-101 launched in the US at $495 and in UK at £249, making it much more affordable than the popular digital synthesisers of the time. Roland marketed the SH-101 to the emerging keytar market, with magazine slogans such as 'freedom for expression' and “[the 101] takes you where you want to go'. However, it was outsold by the digital Yamaha DX7 and was discontinued in 1986.
During the 1990s resurgence of analogue synthesisers, the 101 became a staple in dance music studios. It was used by acts including Aphex Twin, Orbital, the Prodigy, 808 State, the Grid, and the Future Sound of London.
In 2014, MusicRadar wrote: 'Some inexpensive synths were brilliant 'for the price'. The Roland SH-101 was brilliant, period. Boot camp no mac os disk. Never a rock star's instrument like the Minimoog or Prophet-5, the 101 was a synthesiser for the rest of us, and a damned fine one, too.' In 2016, Fact named the SH-101 one of the 14 most important synthesisers in history.