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Get the guaranteed best price on Vocal Processors like the TC Helicon VoiceTone Mic Mechanic Reverb, Delay, & Pitch Correction Pedal at Musician's Friend. Get a low price and free shipping on. TC Electronics Singles VoiceTone C1 Vocal Effects Processor. 3.8 out of 5 stars 73. FREE Shipping by Amazon. More Buying Choices $175.71 (22 used & new offers) TC Helicon 996004005 VoiceTone D1 Vocal Effects Processor. 3.8 out of 5 stars 20. TC Helicon C1 Pitch-correction Effects Pedal w/Power Supply and 2 20. TC Helicon VoiceTone C1 HardTune and Correction Effect Pedal. From the wildly popular HardTune effect to subtle pitch correction and gender manipulation, VoiceTone C1 opens up new vocal territory in an easy-to-use stompbox. Sam Ash Direct has the guaranteed lowest price and fast free, shipping. Jun 05, 2018 This is the TC-Helicon Voicetone C1 Auto-Tune Review. Within the Voicetone series by TC Helicon is the C1 “Hardtune and Voice Correction” pedal. This is a stomp box pedal, which can be used as a foot switch on the floor, but I keep it up on my table with my other machines and use it by hand. May 17, 2017  The VoiceTone C1 has dedicated entirely too vocal pitch correction. The TC Helicon live autotune pedal has three rotary knobs on the front, controlling the ‘key’, ‘severity of tuning’ and ‘gender’. The key refers to the musical key that the song is being performed in.

1. Tc-helicon Voicetone C1 Vocal Auto-tune And Pitch Correction Center
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3. Tc-helicon Voicetone C1 Vocal Auto-tune And Pitch Corrections
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This is the TC-Helicon Voicetone C1 Auto-Tune Review.

Within the Voicetone series by TC Helicon is the C1 “Hardtune and Voice Correction” pedal. This is a stomp box pedal, which can be used as a foot switch on the floor, but I keep it up on my table with my other machines and use it by hand.

You can also check out my rig rundown, where I incorporate the C1 auto-tune pedal into my live set up!

This is most easily described as an auto-tune pedal. Like many other Voicetone products, it falls within an affordable price range. There’s not a ton of flexibility in features with this pedal, but what it does, it does well. You can adjust the pedal to correct to specific musical key signatures, meaning that if you’re singing in the key of C, you can set the C1 to “C” so that all of your vocal notes are auto-corrected to the closest note within that given scale. Alternately, you can set the pedal to Chromatic, meaning that it will not adhere to specific scales, but will still correct your vocal notes to the closest note exactly – and this is done in real time, not to your recordings but to your live performances! (Although you can do either: use this pedal for live performances, or use it to re-amp recorded tracks through this pedal and re-record them with effects.)

The C1 offers a single 1/4″ Instrument Input, as well as a single 1/4″ Instrument Thru line. It also can accept XLR as its input and/or output. Finally, there is a gain control knob to control the microphone gain.

Personally, I run a hand-made rotary telephone microphone through this auto-tuner. This is a real rotary telephone that I have hard-wired to an XLR chassis so that you can plug a mic cable into it and the telephone receiver acts as a microphone. Any guitar with auto tune. When you put the receiver back on its cradle, the phone “hangs up” and the mic turns off. I think that adding a newer effect such as auto-tune to an outdated piece of microphone machinery creates a playful and interesting contrast between eras. You can hear the lo-fi tin of the telephone receiver, and at the same time it’s being auto-tuned – which reflects the current sounds of today. Auto-tune is kind of funny, let’s be honest, so I don’t mind taking advantage of this technology as a gimmick and really playing with it in any way I think could be interesting! I think the worst thing you could do with an auto-tuner is try to use it sincerely, so just have fun instead! Music can be a playground.

Beyond its most obvious function, and the fact that you can set the key signature for your voice, there are a couple more controllable functions to the C1. First, you can control the effect send level with a gradient knob. So you can go anywhere from 0% auto-tune effect up to 100% hard-tuned. Finally, the last gradient knob controls a feature they call “Gender”. As you may guess, the low end of the scale is a low end bass-y voice, while the high end creates a high-pitched voice instead, but keeping within the musical key signature regardless.

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I usually just keep this knob at Centre, showcasing my real voice’s pitch and only utilizing the pedal for its auto-tuning capabilities. But the extreme low and high pitch effects can be fun too, and help to exasperate the artificial quality of hard-tuned vocals by further dehumanizing them into unusual pitches, creating monstrous or cartoonish results. Like I said, just have fun!

Tc-helicon Voicetone C1 Vocal Auto-tune And Pitch Correction Center

Here’s a music video for a song I recorded, where you can hear my voice through the C1 pedal right from the beginning of the song:

If live vocal processing is right up your alley, TC Helicon has a good array of transformer effects that you should dive into. You can also check out other vocal transformers such as the Roland VT-3 which I am currently using in my set with a separate microphone. Transform yourself!

It can be difficult to exercise control over your vocal tone in a live environment. TC-Helicon aim to put the most useful effects right at your feet.

Many vocalists would love to have the same kind of control over their vocal tone on stage as they do in the studio, and TC-Helicon's VoiceTone Correct XT is a foot pedal aimed at providing just that. It combines anti‑feedback processing, adaptive EQ and adaptive dynamics, plus Gate and Warmth sections and chromatic pitch correction.

It's powered by an included mains adaptor which is, unfortunately, a little easy to dislodge, and has Instrument In and Thru sockets, a mic input and two outputs on balanced XLRs. There's also a mini-USB socket for software upgrades, and the unit includes TC‑Helicon's Mic Control circuit, allowing the company's MP75 Modern Performance Vocal microphone's thumb‑switch to turn the pitch correction on or off. In addition to a ground-lift switch, the unit also has 48V phantom power, activated by holding down both the Warmth and Manual buttons. Two footswitches activate and deactivate the Tone and Pitch sections, allowing you to disable them quickly during performance. The other sections are also easily activated using the illuminated buttons at the bottom, after which you can dial in more or less of the relevant effect. There's a mic-gain trim with level indication LED that flashes amber on input peaks, and simple 'more or less' knobs for the EQ Shape, Dynamics and Pitch sections. There's also a display in the Anti‑Feedback section that shows how many of the internal filters are active.

Performance

The rear panel of the VoiceTone Correct XT fits in plenty of connections, though it'd be nice to a have pitch‑correction-free vocal output as well.

To get started, you set the mic gain to the desired level, then set the other three controls midway. The pitch correction and anti‑feedback are best bypassed at first. When you first sing into the mic, there's a brief period of adjustment as the adaptive circuitry tries to figure out what treatment your voice needs. After this, you'll probably notice that the voice sounds both a bit brighter than usual and slightly compressed.

The Shape control adjusts a multi‑band EQ that's designed to remove muddy lower mids while adding a little air to the top end, and I found it did improve clarity of vocals to a useful degree. The Warmth button links to the Shape circuitry, boosting lower bass, while the Dynamics section combines compression with de‑essing. Adding too much compression can provoke feedback, so is best used in moderation. I found it best to set the anti‑feedback system last, as its performance is affected by the auto dynamics and EQ settings.

To set up the anti‑feedback, turn up the gain slowly to allow the nine notch-filters to adjust to the feedback frequencies as they occur. Alternatively, you can leave it set to Auto, in which case it will notch out feedback on the fly. When the Anti‑FB LED is on and the Manual LED is off, the system listens for pure feedback tones, and engages one of its narrow notch filters whenever it finds one. When all nine bands have been deployed, any further feedback causes the Correct XT to reduce the overall mic gain by 3dB.

In manual anti‑feedback mode, on the other hand, feedback frequencies are only detected and filtered when you hold down both foot switches together. This mode is recommended if any instruments in the band produce pure tones that might be misinterpreted as feedback, or to avoid the unit reacting to feedback from other sources. Pressing and holding the Anti‑FB button when the LED is lit resets all of the filters.

The Gate control is completely automatic and attempts to pull down the mic level between vocal phrases, though how effective this is depends on how much spill gets into the vocal mic from other instruments.

Pitch correction is arranged so that the pot's centre setting gives the most natural-sounding adjustment, but there's range for experimentation if you need a more or less obvious effect. A small display shows whether your singing is being tuned sharp or flat, and the correction sounds pretty benign if set near the middle of range, as suggested. There's no detail provided as to precisely what the control does, but it seems to change the amount of pitch correction rather than the speed, so that in an anti-clockwise position, very little happens, while at its clockwise extreme it pushes your voice all the way to the nearest semitone. It won't reproduce the kind of hard pitch‑quantised yodelling you'll hear on a chart R&B record, though.

Tc-helicon Voicetone C1 Vocal Auto-tune And Pitch Correction Youtube

Unfortunately, there's no separate output for the non‑pitch‑corrected sound. In my experience, most live engineers avoid sending pitch‑corrected audio to the stage monitors, as this can confuse the singer. If you need a dry feed, you'll have to arrange some way to split the mic signal, or feed the Correct XT from the PA mixer.

Vocal Verdict

The VoiceTone Correct XT turned out to be really easy to use, and the improvement in vocal clarity is helpful in moderation. The Dynamics control shouldn't be over-used, as it provokes feedback and can make the sound unnatural. However, the anti‑feedback effect is pretty good at clawing back a bit more headroom, and the notches are very narrow, so even if it's working hard the results are natural.

While the pitch correction works fine on a technical level, I think it was a mistake to leave out an unprocessed output for feeding the monitor mix, as I find it almost impossible to pitch my singing when all I can hear is a pitch-corrected signal. That said, if you feel your live vocal could sound a bit more polished, but you don't want a complicated multi‑effects unit, then VoiceTone Correct XT might be just what you need.

Pros

Tc-helicon Voicetone C1 Vocal Auto-tune And Pitch Corrections

• Compact unit.
• Inexpensive.
• Very easy to use.
• Several important processes in one box.

Cons

• Dynamics processing can cause feedback.
• No output without pitch correction.
• External PSU easy to dislodge on stage, so pedalboard mounting is desirable.

Summary

The VoiceTone Correct XT provides singers with a compact, simple and reasonably priced way to enhance their live vocal sound. Each section provides a useful process, and while most are best not overdone, the overall combination is effective at subtly improving vocal clarity and polishing performance.

information

Tc-helicon Voicetone C1 Vocal Auto-tune And Pitch Correction Video

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Tc-helicon Voicetone C1 Vocal Auto-tune And Pitch Correction Chart

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