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What do you do when you’re looking for cool ways to come up with unique bass lines, leads, and melodic motifs?

Use an arpeggiator.

'Baba O'Riley' is a song by the English rock band The Who, written by Pete Townshend. Roger Daltrey sings most of the song, with Pete Townshend singing the middle eight: 'Don't cry/don't raise your eye/it's only teenage wasteland'. Nov 05, 2017  This video featuring the song 'Baba O'Riley' and the Nord Stage 3 (along with help from the Boss RC 505 Loop Station (to imitate this song. MIDI arpeggiator and the Baba ORiley Marimba Repeat function Many of us are familiar with the arpeggiated organ (Lowrey organ Marimba Repeat) in the Who's Baba ORiley. It seems to me that the Sonar MIDI arpeggiator could handily emulate that function. Does anyone know of an arpeggiator preset that does Marimba Repeat?

The best arpeggiator VSTs are capable of so much more than just cranking out static, repeating lines.

If you haven’t looked into the capabilities of the current crop of arpeggiators yet, you are in for a treat!

So this post will take a look at some of the best arpeggiator plugins on the market.

Top Arpeggiator VST Plugins

1. Cthulhu by Xfer Records

Demo & Price

Cthulhu comes from the same maker of Serum, that beast of a synth. Likewise, “One Note Becomes Many” is the intriguing tagline that greets you at Cthulhu’s product page, and it does provide an accurate description of the capabilities of this unique plug-in. Is it an arpeggiator, an instrument, or an audio processor? Like the best arpeggiators, Cthulhu is all that and more.

What Cthulhu primarily does is transform inputted chords in many interesting ways. A versatile and easy to use tool, it encourages the creation of chord progressions and musical motifs that you wouldn’t have come up with otherwise.

Specs and useful features

Although Cthulhu does a great job as an arpeggiator, it is first and foremost a chord recorder/player. This function enables you to come up with plenty of interesting chord variations by pressing single keys on your keyboard. You can play chords right into the plug-in or import chords and progressions in MIDI format.

Cthulhu is equally capable as an arpeggiator, enabling you to transform notes and chords that you input into different rhythmic variations. With no less than eight tabs in the step sequencer, you have ample options for reshaping incoming notes. Even single note lines can result in complex and uniquely memorable riffs.

User impressions

You don’t a lot of musical knowledge to come up with complex and musically interesting motifs with Cthulhu. The chord memorization feature alone is well worth the price tag, and having a very capable arp onboard makes it an even better deal.

Literally dozens of interesting variations can spring forth from even the most basic note sequences. Whether as an idea generator or a way to reinvent tired, old melodic motifs, Cthulhu has the power to consistently surprise.

Bottom-line

A chord generator and arp rolled into one, Cthulhu is a powerful creative tool no matter how you look at it. If your creative well has run dry and you need a source of inspiration, this plug-in definitely gets the juices flowing.

2. Kirnu Cream by Arto Vaarala

Demo & Price

Kirnu Cream took the MIDI world by storm when it was released in 2013. The hype and speculation had been building up to a fever pitch for months before then, and the official release proved to be everything that everyone had hoped for and then some. Cascading arpeggios, sequenced patterns, and ear-catching chord memory progression–all these issued forth from the revolutionary plug-in, and there were many options for modulating the results as well.

Cream today remains largely unchanged from its initial version, which is a testament to its design and functional excellence. Whether used for arpeggiators, lead and bass lines, and even beats, Kirnu Cream is pretty much peerless.

Specs and useful features

Cream has several features that make it as suitable as a live instrument as a studio tool. The arpeggiator is what most people will probably be drawn to. But it also has one of the most powerful pattern sequencers around, with excellent chord memory features added to the mix. Pattern data can be selected and manipulated freely, with four tracks and loopable pattern controls. These features give the plug-in a great deal of flexibility for reimagining melodies and musical phrases.

Amazingly, Cream is very easy to learn and put into use. You didn’t have to dig too deeply into its inner workings to come up with cool motifs, although there is considerable power under the hood for more in-depth tweaking.

User impressions

The many opportunities for direct interaction are what most users appreciate the most about Cream. It goes beyond the capabilities of most arpeggiators and pattern sequencers, producing musical and creative results with very little effort. Many users especially like the “arpeggio on note count” feature, which keeps the arpeggiator from starting up until a specific number of notes are played. This feature makes it possible to combine standard melody lines with arps in a musical manner.

Bottom-line

With so much power onboard, you would expect Cream to be difficult to use. While you will have to do a bit of fiddling around to unlock its full potential, this never gets in the way of its sheer power and capability.

3. Thesys by Sugar Bytes

Demo & Price

Sugar Bytes is known for its plug-ins that serve as creative instruments and unique audio and MIDI processors. Thesys is a prime example, covering many of the company’s strengths in an intriguing step sequencer that is also a pretty kick-ass arpeggiator.

Thesys utilizes the venerable–and still-popular–step-programming paradigm in enabling you to manipulate your music in various interesting ways. Whether for heading off into uncharted musical territory or simply breathing new life into tired, old material, Thesys provides a direct path to creative musical expression.

Specs and useful features

Unlike other plug-ins that lock you into a specific way of working, Thesys lets you work the way you want to work. You could paint in sequences with your mouse, which is a fast and intuitive way of working. If you prefer a more traditional approach, you could input notes from a MIDI keyboard. There is a built-in synthesizer for this purpose, letting you hear inputted notes and the resulting sequence without having to patch in a third-party synth plug-in.

The Randomizer is an especially useful feature, helping you avoid the predictability that often results from step-sequencers and arpeggiators. With this feature, you can come up with interesting variations of your melodic material or head off into wild and wonderful new directions.

The Velocity and Gate Sequencer sections are where you will likely do most of your tweaking. These sections let you finesse riffs and arpeggios into impressive musical phrases without a lot of fiddling around.

User impressions

Thesys delivers far more capabilities than your average arpeggiator plug-in. Users found it to be just as useful live as in a studio setting. This is one plug-in that cranks out more than what you put in, and many users find it a sheer joy for livening up drab MIDI passages.

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Bottom-line

Thesys is more than just an arpeggiator or a step sequencer. It is practically a full-blown MIDI workstation, and its sheer power and flexibility will definitely win you over.

4. Consequence by Sugar Bytes

Demo & Price

Consequence is Sugar Bytes’ simpler offering in the arpeggiator category, but it is still pretty capable at transforming inputted notes in interesting new ways. It creates note sequences based on chords that you play in, with numerous options for interpreting the incoming data.

You can load up to three instruments into Consequence, each of which has its own envelope. You can play these instruments via the onboard 32-step sequencer and create very complex rhythms and textures pretty easily. There is even a multi-fx unit onboard for adding extra spice to your creations, and a four-on-the-floor kick drum pattern that helps you keep your grooves locked tight.

Specs and useful features

The chord sequencer is where most of the action takes place. Here, you could store up to 16 chord “snapshots”, and trigger them in any combination you please. The results are never static, with five sequencers enabling you to control various aspects of the groove. There is also a comprehensive modulation section that provides even more options for controlling the three synthesizer parts, the filter, and the FX unit.

As an arpeggiator, Consequence is about as versatile as they come. You can set each of the sequencer steps to “Arp”, “Chord”, “Octave”, or “Tie”, enabling you to go well beyond the capabilities of most arpeggiators. You can even control the play direction in various ways, which lets you create pretty impressive melodies from even the most basic motifs.

User impressions

Consequence strikes many users as a fun and inspirational alternative to most standard arpeggiators. It is especially appealing to those looking for a fresh and creative approach to coming up with melodic ideas. For many users, Consequence has proven value as a songwriting and production tool.

Bottom-line

Like most Sugar Bytes plug-ins, Consequence provides a unique way of working with source material. Even if you already have a well-spec’d arpeggiator in your arsenal, Consequence is still worth adding to the pile for its unique workflow.

5. Audiaire Nuxx

Demo & Price

On paper, Audiaire Nuxx looks pretty intriguing. Billed as a multi-FX processor with an onboard parameter sequencer, it seems like a handy solution for livening up static sounds and sequences. But digging deeper into its features reveals a very capable processing tool that can twist and warp audio in many creative ways.

Useful Features

Audiaire Nuxx essentially lets you modulate up to three parameters of six effects at a time via macro controls. There are 30 effects on-board, including compression, distortion, decimator, chorus, delay, flanger, two flavors of phasers, high, low, and band-pass filters, and more.

Nuxx has a slick and modernistic interface, with all the sections laid out clearly for ease of use. The GUI is scalable and comes with a variety of lane modification tools. The plug-in’s unique interface makes it easy to manipulate sounds quickly and easily and even perform detailed audio editing.

Nuxx can be set up to work as a simple effects unit, with the sequencer bypassed and hidden out of sight. But inputting different values into each step of the sequencer is what truly unlocks the plug-in’s sonic potential. With 27 lanes, independent sequence lengths, step mutes, swing, and probability controls, you have plenty of leeway to mangle your sounds.

User Impression

Users love the sheer variety of sounds that are possible with Audiaire Nuxx. Although it works well enough as a filter and distortion unit to add warmth to cold digital tracks, it especially excels at creative modulations of the 30 effects processors. A potent sound-design tool, Nuxx is also useful for coming up with fresh and inventive ideas when inspiration runs dry.

Bottom-line

Audiaire Nuxx is a simple but surprisingly powerful audio processing tool. Ideally suited for creative sound design, it is made especially useful by the inclusion of some excellent effects with well-thought-out control over the most important parameters. Its onboard sequencer lets you cook up some outrageous and wacky sounds, from liquid filter burbles and rhythmic delays to wild pitch squeals and grinding distortion, and more. Not your garden-variety arpeggiator, Audiaire Nuxx is a hugely entertaining sound design tool.

Bonus Mention: Numerology 4 Pro by Five12

Info & Price

Numerology is something of a dark horse in the music production world, attracting an almost fanatical army of devotees. But it offers a totally different approach to idea generation, programming, and music production.

You could certainly use Numerology merely as an arpeggiator if you wish, even at this comparatively basic task. But its features makes it more of a complete music production solution than a mere arpeggiator plug-in.

Specs and useful features

Numerology is essentially a modular system, providing several options for sequencing audio, MIDI, and even control voltage (CV) signals. The matrix sequencer is your ticket to arpeggios, although you could certainly use it for more subtly melodic material if that’s what you need.

One of the best things about Numerology is that you can modulate almost any parameter. Like an extremely well-spec’d synthesizer, you can route anything to almost anything else, in this case to compositional parameters.

Bottom-line

Numerology is a beast of a plugin. Perhaps it is a bit unfair to lump it in with ‘mere’ arpeggiator plug-ins, but it does such a great job at that role that we simply had to add it to the lineup.

About Arpeggiator VSTs

An arpeggiator is a feature found on many synthesizers, vintage and modern, hardware and software. Often referred to simply as an “arp”, it lets you play a string of notes via a single key press or a single played chord. Even when playing a relatively simple phrase, arpeggiators can produce complex and impressive melodies and repeating motifs.

To learn more about what an arpeggio is, check out this Wikipedia entry.

Arpeggiators typically produce characteristic repetitive motifs that serve as the backbone for countless synth-based tracks. Used on such classic rock tracks as The Who’s “Baba O’Riley” and Pink Floyd’s “On the Run”, it is also the most recognizable element in Donna Summer’s seminal “I Feel Love”.

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In its simplest iteration, arpeggiators simply play back the individual notes of a chord in sequence. In older synths, arpeggiators provided the option to play the note sequence from high to low, low to high, and little else. Many modern arpeggiators provide many more options for setting play direction, note length, and more. With some of the arpeggiator plug-ins reviewed above–and some advanced arpeggiators on hardware synths–the results can be far removed from the typical robotic lines of a primitive arpeggiator.

All arpeggiators are able to play back the notes in a held chord. But more advanced arpeggiators can store note patterns, and even chords, providing you with even more options to come up with fresh and inventive parts. Some even allow for layering of different arpeggio patterns, polyrhythms, and random triggering. When you add the capability to modulate the output in many different ways, there is no reason why arpeggiators should simply be relegated to churning out basic, repeating lines.

At the very least, you will want an arpeggiator that gives you a few different options for playing back notes. Extensive modulation options are also good to have, as is the ability to send the note data out as MIDI.

'Baba O'Riley', sometimes erroneously referred to as its chorus refrain 'Teenage Wasteland', is a song by the British rock band the Who and the opening track to their studio album Who's Next. It was issued in Europe as a single on 23 October 1971, coupled with 'My Wife'.

Roger Daltrey sings most of the song, with Pete Townshend singing the middle eight: 'Don't cry/don't raise your eye/it's only teenage wasteland'. The song's title is a combination of the names of two of Townshend's philosophical and musical influences: Meher Baba and Terry Riley. Auto tune gemini kit car.

'Baba O'Riley' appears in Time magazine's list of the All-Time 100 Songs, Rolling Stone's list of 'The 500 Greatest Songs of All Time', and the Rock and Roll Hall of Fame as one of the 500 Songs That Shaped Rock and Roll.

It also features on live albums: Who's Last, Live from Royal Albert Hall, Live from Toronto, and Greatest Hits Live. In concert Daltrey plays the violin solo on harmonica.

Background and composition[edit]

Townshend originally wrote 'Baba O'Riley' for his Lifehouseproject, a rock opera intended as the follow-up to the Who's 1969 opera, Tommy. In Lifehouse a Scottish farmer named Ray would have sung the song at the beginning as he gathered his wife Sally and his two children to begin their exodus to London. When Lifehouse was scrapped, eight of the songs were salvaged and recorded for the Who's 1971 album Who's Next, with 'Baba O'Riley' as the lead-off track.

Townshend stated in an interview that the song is about 'the absolute desolation of teenagers at Woodstock, where audience members were strung out on acid and 20 people had brain damage. The irony was that some listeners took the song to be a teenage celebration: 'Teenage Wasteland, yes! We're all wasted!'^[4]

The song's title combines the names of Meher Baba (1894-1969) and Terry Riley (1935- ), two of Townshend's philosophical and musical mentors.^[5] The song is often incorrectly called 'Teenage Wasteland', after the phrase repeated in the song. 'Teenage Wasteland' was in fact a working title for the song in its early incarnations as part of the Lifehouse project, but eventually became the title for a different but related song by Townshend, which is slower and features different lyrics.^[6] A demo of 'Teenage Wasteland' features in Lifehouse Chronicles, a six-disc set of music related to the Lifehouse project, and in several Townshend compilations and videos.

The song uses a I-V-IV chord progression in the key of F major.^[7]

Recording and release[edit]

'Baba O'Riley's backing track was derived from the Lifehouse concept, where Townshend wanted to input the vital signs and personality of Meher Baba into a synthesiser, which would then generate music based on that data. When this idea fell through, Townshend instead recorded a Lowrey Berkshire Deluxe TBO-1 organ using its marimba repeat feature as the backing track.^[8] This modal approach was inspired by the work of minimalist composer Terry Riley.

The song was derived from a nine-minute demo, which the band reconstructed.^[9] 'Baba O'Riley' was initially 30 minutes in length, but was edited down to the 'high points' of the track for Who's Next.^[10] The other parts of the song appeared on the third disc of Townshend's Lifehouse Chronicles as 'Baba M1 (O'Riley 1st Movement 1971)' and 'Baba M2 (2nd Movement Part 1 1971)'.

'Baba O'Riley' was released in November 1971, as a single in several European countries. However, in the United Kingdom and the United States, it was released only as part of the album Who's Next.

Reception and legacy[edit]

'Baba O'Riley' appears at No. 340 on Rolling Stone's list of 'The 500 Greatest Songs of All Time'.^[11] The song is in the Rock and Roll Hall of Fame as one of the 500 Songs That Shaped Rock and Roll.^[12] The band Pearl Jam regularly plays a cover of the song during concerts, and a readers' poll in Rolling Stone awarded this cover as #8 in their Greatest Live Cover Songs.^[13]

During live performances, Roger Daltrey plays the studio violin part on harmonica.

Baba O'riley Meaning

'Baba O'Riley' was used as the theme song for the popular television series CSI: NY (2004–13); with each CSI series using a Who song as its theme.^[14] The song was also used in the Fourth Season of One Tree Hill the song plays in the thirteenth episode 'Pictures of You'. The live version of the song from the album Who's Last plays in the opening segment of the Miami Vice episode 'Out Where the Buses Don't Run' (season two, 1985).^[15] One of the working titles of That '70s Show (1998–2006) was 'Teenage Wasteland,' a reference to the repeated lyric in the song.^[16] The song was also used in the trailer for the 1998 Disney/Pixar animated film A Bug's Life (1998), American Beauty (1999), Resident Evil: Retribution (2012), Jobs (2013), The Peanuts Movie (2015)^[17], and Season 3 of Stranger Things.^[18] Baba O'Riley was included in the soundtrack for the 1997 film 'Prefontaine' and the 1999 film 'The Summer of Sam'. The song was used in the 10th episode of the 2010 FOX show The Good Guys.^[19] The song was featured heavily in the 2004 romantic comedy film The Girl Next Door, The song was also used in the beginning of, and the end credits of the 2012 movie Premium Rush.The song has also been used in episode 14 of season one in the TV series House and in episode 10 of season one in the TV series The Newsroom. It was also used in Episode One of the UK version of Life on Mars. A remixed version of this song, re-done by Alan Wilkis, appears in the 2012 remake of Need for Speed: Most Wanted, as well as the Family Guyseason 13 episode 'Quagmire's Mom', the third Robot Chicken: Star Wars special and episode 11 of season one of Superstore. The song is featured in an episode of Joe Pera Talks With You, 'Joe Pera Reads You the Church Announcements' on Adult Swim, in which Pera is unable to contain his excitement after hearing the song for the first time in his life. The song is also sung in episode 7 season 1 of Sense8 by Riley's dad at the airport.^[20]

Since 2003, 'Baba O'Riley' has been played during player introductions for the Los Angeles Lakers during home games at the Staples Center.^[21] The song is played prior to live UFC events during a highlight package showing some of the most famous fights in the mixed martial arts company's history.^[22] It is also the official theme song of competitive eater Joey Chestnut.^[23]

At both the opening and closing ceremonies of the 2012 London Olympics, the track 'The Road Goes On Forever' by High Contrast is used during a countdown to the start of the proceedings, this song samples 'Baba O'Riley' with a higher tempo as a 120bpm dance track.^[24] 'Baba O'Riley' was then performed by the Who as their first number during the last musical segment at the closing ceremony, with Daltrey singing a changed lyric of 'Don't cry/Just raise your eye/There's more than teenage wasteland'.^[25] 'Baba O'Riley' is also used as the pregame music at Sanford Stadium and is played right before kickoff at every University of Georgia home football game. It is also played at halftime of most New England Patriots home games, leading up to the second-half kickoff. It is also the entrance music for the New York Rangers at Madison Square Garden.

It appears in a 2019TV commercial for T-Mobile that features Major League Baseball players.

Personnel[edit]

• Roger Daltrey – lead vocals, harmonica (live versions only)
• Pete Townshend – Lowrey organ, piano, guitar, co-lead vocals
• John Entwistle – bass
• Keith Moon – drums
• Dave Arbus – violin

Charts[edit]

Certifications[edit]

References[edit]

1. ^ ^ab'Baba O'Riley'. ung Medien / hitparade.ch. Retrieved 28 November 2011.
2. ^Who's Next 1995 Remastered Liner Notes Page 17
3. ^John Atkins (1 February 2000). The Who on Record: A Critical History, 1963-1998. McFarland. p. 158. ISBN978-0-7864-4097-9.
4. ^Guitar World Vol. 30 No. 9 pg. 76
5. ^The Who: The Ultimate Collection (Media notes). The Who. MCA Records. 2002. p. 12.CS1 maint: others (link)
6. ^Lifehouse Chronicles box set
7. ^'Baba O'Riley Guitar Lesson – The Who'. TheGuitarLesson.com. Retrieved 26 November 2014.
8. ^'Pete's Equipment, Lowrey Berkshire Deluxe TBO-1'.
9. ^Who's Next 1995 Remastered Liner Notes Page 17
10. ^'The Hypertext Who ' Article Archive — The Who Puts the Bomp (1971)'. Thewho.net. Retrieved 4 January 2012.
11. ^'The RS 500 Greatest Songs of All Time'. Rolling Stone. 9 December 2006. Archived from the original on 15 August 2006. Retrieved 14 August 2009.
12. ^'500 Songs That Shaped Rock and Roll'. Archived from the original on 7 July 2008. Retrieved 9 July 2008.
13. ^'Readers' Poll: The Greatest Live Cover Songs'. Rolling Stone. Retrieved 1 September 2013.
14. ^Duboff, Josh (7 February 2010). 'The Who Performs CSI Medley'. New York. Retrieved 1 September 2013.
15. ^*Moore, Allen F. (2003). Analyzing Popular Music. Cambridge University Press. p. 67. ISBN052177120X.
16. ^'DVD Verdict Review - That '70s Show: Season One'. Retrieved 18 September 2012.
17. ^'The Peanuts Movie Trailer: An Underdog and His Dog'. Slashfilm.com. 16 June 2015. Retrieved 3 October 2016.
18. ^[1]
19. ^https://www.songfacts.com/facts/the-who/baba-oriley.Missing or empty title= (help)
20. ^'Here's The Ultimate Playlist For 'Sense8' Fans'. 23 July 2015. Retrieved 14 April 2019.
21. ^McMenamin, Dave (4 October 2010). 'London Called, But Lakers Don't Figure to Be Back Any Time Soon'. ESPN. Retrieved 4 January 2012.
22. ^'Q&A with local MMA announcer Ray Flores'. Post-Tribune. 23 August 2011. Archived from the original on 24 October 2011. Retrieved 9 March 2012.
23. ^Heilpern, John (July 2011). 'The Fastest Mouth on Earth'. Vanity Fair. Retrieved 1 September 2013.
24. ^'High Contrast's Olympic Story: Part 3 - Highly Contrasting'. highlycontrasting.com. Archived from the original on 21 October 2014. Retrieved 17 October 2014.
25. ^'Did Roger Daltrey Forget the Lyrics to 'Baba O'Riley'?'. CBS News. 13 August 2012. Retrieved 15 August 2012.
26. ^'British single certifications – The Who – Baba O'Riley'. British Phonographic Industry. Retrieved 5 July 2018.Select singles in the Format field.Select Platinum in the Certification field.Type Baba O'Riley in the 'Search BPI Awards' field and then press Enter.

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External links[edit]

Baba O'riley Lyrics

Baba O'riley Chords

Baba O Riley Vst Download Full