Mar 06, 2014 But what has made T-Pain most resentful since his fall from the top was seeing certain artists use Auto-Tune and not get criticized; rather, they were celebrated as innovators in a way that T-Pain. Auto-Tune is a vocal effect used in music recording that was popularized by several artists, perhaps the most popular being T-Pain. The R&B singer T-Pain has now become so synonymous with Auto-Tuning, that the effect is sometimes casually referred to as 'the T-Pain effect.'
For most common pitch problems, Auto-Tune Evos Automatic Mode instantaneously detects the pitch of the input, identifies the closest pitch in a user-specified scale (including minor, major, chromatic and 26 historical and microtonal scales), and. ..
- Auto-Tune Evo VST forWindows
- Antares Audio Technologies
- Shareware ($399.00)
- 17.34 Mb
- Windows Vista, XP
From the company that revolutionized vocal production with Auto-Tune comes AVOX 2 - the second generation of the Antares Vocal Toolkit. Building on the power of the original AVOX plug-in bundle, AVOX 2 adds an additional five state-of-the-art vocal. ..
- AVOX_2_RTAS_PC_v100.zip
- Antares Audio Technologies
- Shareware ($599.00)
- 53.56 Mb
- Windows Vista, XP
Auto-Duck in Real Time - auto ducking for live streamers and YouTubers (but also great for stage!). Automatically decrease volume of any program or game. Input can be microphone or any recording or playing application. Great for streaming GamePlays!
- AutoDuckRT-Setup.zip
- Auto-Duck in Real Time
- Shareware ($19.00)
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- Win7 x32, Win7 x64, WinOther, Windows 8
Nectar is a complete set of 11 vocal production effects combined in one plug-in that's designed to give you immediate results. Built-in Styles get the grunt work out of the way so you can focus on the creative finishing touches. Features include. ..
- iZotope_Nectar_Setup_v1_00.exe
- iZotope, Inc.
- Shareware ($299.00)
- 45 Mb
- WinXP, Windows Vista, Windows 7, Windows 7 x64
Adjust the brightness level of your Mac (MacBook Pro, MacBook Air, iMac, Mac Pro, Mac Mini) on Microsoft Windows. For instance a Mac with Windows 7 loaded is too bright for most users, and you can make its screen dimmer with the help of the software.
- MacBrightnessControlSetup.exe
- Wondersoft
- Shareware ($49.00)
- 1.42 Mb
- Win7 x32, Win7 x64, WinServer, WinVista, WinVista x64, WinXP
FotoLoader is a component provides an easier way to load image and SWF in AS3 with brilliant transition effect. Plus, it includes slide show function, which allow images/SWF load automatically in defined sequence. Best tool for building your portfoli. ..
- FotoLoader CS
- FlashComponents
- Shareware ($24.90)
- 488 Kb
- Win98, WinME, WinXP, Windows2000, Windows2003, Windows Vista
SimpleLoader is a component provide an easier way to load image and swf in AS3. Plus, it's smooth fading and resize animation effect add life to your creative website design. It is eseetial to every designer who stuff with the stock UILoader. Featu. ..
- SimpleLoader CS
- FlashComponents
- Shareware ($39.90)
- 488 Kb
- Win98, WinME, WinXP, Windows2000, Windows2003, Windows Vista
Batch It! is an automated Unicode Batch Imaging Editor which allows you to resize, rename , add captions, add drop shadow, remove red eye, create tiled images, print and enhance images.
- batchit.exe
- iRedSoft Technology Inc
- Shareware ($22.95)
- 11.79 Mb
- Win2000, WinXP, Win7 x32, Win7 x64, Windows 8, Windows 10, WinServer, WinOther, WinVista, WinVista x64
LiveTone Video Player 1 is known as the first thorough and total collection of video ringtones for Nokia Series 60 mobile phones. The LiveTone Video Player is free and is a full feature videotone player and manager. Assign a default video to unknown. ..
- LiveTone Video Player
- 9 Track Mind
- Freeware (Free)
- 499 Kb
- Symbian
Image Converter Pro ActiveX Component can convert, resize to different image formats. It include convert to bmp, jpg, tif, png, gif, pcx, jp2, ico, jpc, pgx, pnm, ras, tga, wbmp and also it support input PDF file.
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- Mainmedia Software
- Shareware ($200.00)
- 2.13 Mb
- Win98, Windows2000, WinXP, Windows2003, WinVista, WinVista x64, Win7 x32, Win7 x64, Win8 x32, Win8 x64
Phoenix Live is an intuitive-to-operate laser software helping you to easily and quickly write your software for your own laser and DMX devices without any lengthy practising to get to know the software. Choose from more than 300 pre-programmed. ..
- PHOENIX3Premium-Live-Demo.zip
- PHOENIX Showcontroller GmbH& Co. KG
- Freeware (Free)
- 81.9 Mb
- WinXP, Windows Vista, Windows 7, Windows 7 x64
GQradio interfaces with radio cards through the video4linux, or the FreeBSD bktr APIs. Stations can be tuned manually, set to presets, or auto seek can find the next available frequency. The application supports theming (skins), and includes a built-in skin editor.
- gqradio-1.9.2.tar.gz
- gqmpeg.sourceforge.net
- Freeware (Free)
- 430 Kb
- Linux
Related:T Pain Effect Auto Tune - Radio Tune Effect - Auto Tune - Auto Tune Up - Auto Tune Vocals
Prior to the digital age, life in the studio was all about moderating the effects of human touch.
How to declare variables in dev c++. The concept of a variable is borrowed from mathematics. Stores the value 1 in the variable x. From that point forward, the mathematician can use the variable x in place of the constant 1 — until he changes the value of x to something else. Variables work the same way in C. When we create variables we call this the variable declaration, and then when we set them for the first time, we call this the initialization. To declare a variable in C, we write the data-type that we want the variable to contain, followed by the variable's name, followed by a semicolon.
Compressors evened out the dynamics of the bass player while a side chain feed kept them matched with the drummer. The drummer had a metronome feed playing to maintain tempo.
Singers, well, you could keep their dynamics in control, but when they sang flat, about all you could do was tell them to smile as they sang and aim above the problem notes.
Smiling has the mysterious effect of raising singers' pitch. Aiming high is probably wishful thinking on everyone's part, but sometimes it works.
The Advent of Auto-Tune
You wouldn't think earthquakes have a lot to do with singing in pitch and they don't, really.
However, it was seismi c research that provided the background for Dr. Andy Hildebrand, the creator of Auto-Tune and its parent company Antares.
He left that field and returned to his early love of music, bringing knowledge that created seismic interpretation workstations and applied it to issues arising in the early days of digital music.
Hildebrand's expertise with digital signal processing led to a series of audio plug-ins, including 1997's Auto-Tune, which could correct the pitch of a voice or any single-note instrument with surprisingly natural results.
Audio engineers now had a weapon against the occasional bum note. Rather than scrapping an entire take, Auto-Tune offered a repair tool that quickly caught on.
Auto-Tune as an Effect
It was only a year later in 1998 that use of Auto-Tune as an effect rather than repair tool happened.
Called the 'Cher Effect' after the singer's hit, 'Believe,' artificial and abrupt pitch changes came into vogue. Later, real-time pitch correction hardware brought both effects and repairs to the stage.
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In the studio, Auto-Tune proved another weapon to 'fix it in the mix.'
Issues with Auto-Tune started soon after, with lines drawn between the purist and users camps. Many felt that using pitch correction was an artistic cheat, a way to bypass craft.
The arguments resemble the resistance synthesizers received in the 1970s and 80s that led Queen to note that none were used on their albums.
The other side of the argument pointed out that tools such as compressors and limiters and effects such as audio exciters had already been modifying the sound and behavior of voices throughout the history of recording. Though the anti-Auto-Tune camp seems vocal and large, rarely does a session go by without some use of pitch correction. It's nearly impossible to detect when used judiciously, nowhere near as obvious as when used for effect.
Auto-Tune is no longer the only player in the pitch correction game either. Celemony's Melodyne software substantially improves on Auto-Tune's interface and brought the full power of pitch correction to a plug-in ahead of the tool's originator, which still leads the pack when it comes to response and set-and-forget capability.
'Generic' Auto-Tune
The Antares version of the effect has achieved 'Kleenex' status. Its brand name is now synonymous with the generic effect it originated. It joins 'Pro Tools' from the audio world and 'Photoshop' from digital imaging in this manner.
Unlike some digital music signal processors, pitch correction hasn't generated a huge number of knock-offs. Melodyne is a serious contender, due to its far more intuitive interface. GSnap is an open source alternative that produces similar results. While iZotope's VocalSynth includes pitch correction features, it's more of a full vocal processor rather than a dedicated pitch correction app.
The 4 Best Auto-Tune VST Plugins
Now, lets get into the top 4 autotune plugins. Each one offers unique features and I assure you that one of these plugins have exactly what you are looking for
Antares Auto-Tune Vocal Studio
The originator is now a full-featured and functional vocal processor that still masters the innovative pitch correction duties it brought to the market, but adds a wide range of additional features and effects to help nail down the perfect vocal take.
Auto-Tune 7 forms the core of the Vocal Studio package, still tackling the pitch and time correction duties it always has. Since its earliest days, automatic and graphical modes handle the various chores for the main Auto-Tune module.
While still presenting a learning curve for the new user, the Auto-Tune 7 interface remains familiar enough for experienced users. Since it's the best-selling pitch correction software going -- and by a huge margin -- there are a lot of existing Auto-Tune users. Even if you're new to the plug-in, chances are you know someone who's used it.
The rest of the Vocal Studio package focuses on vocal manipulations such as automatic doubling, harmony generation, tube amp warmth and vocal timbre adjustment. The range and nature of these adjustments takes vocal processing into some new territory.
The MUTATOR Voice Designer lets you manipulate voices from subtle to extreme, permitting organic or alien manipulations but with results that still sound like voices, though perhaps not of this world. The ARTICULATOR Talk Box produces effects such as the guitar talk box of Peter Frampton and Joe Walsh, but also Alan Parsons-ish vocoder sounds, combining the features of sung or spoken voice with an instrument's output.
While the Auto-Tune Vocal Studio remains pricey, it remains at the top of a niche market of audio processing.
Melodyne 4 Studio
If Auto-Tune has a serious competitor in the pitch correction universe, it's Celemony's Melodyne. The interface, layout and operation of Melodyne is inherently more musical than the Antares take, so newcomers to pitch correction will likely find Melodyne easier to work with.
The Melodyne 'blob' is an easy to grasp analog of a sung note. It's far more intuitive than a waveform to understand. With the focus on graphical interface, Melodyne makes sense more quickly and easily than Auto-Tune. The latter's switching between automatic and graphical modes creates a comparative disconnect between functions.
Even long-time users of Auto-Tune will find moving to Melodyne natural, as there's enough in common that, once a user gets their bearings, familiar functions remain available.
Many Melodyne functions perform on polyphony too. Correcting a track with a multi-voice choir or chording instrument can work too. It's not a perfect function, but it's uncanny how often Melodyne senses chords clearly enough to allow changing of a single element.
What Melodyne doesn't do is the advanced vocal pyrotechnics offered by Auto-Tune. The Celemony product is all about pitch and time correction and it accomplished these with grace and ease.
Those looking for an affordable entry into digital pitch correction can turn to Melodyne 4 Essential. It's a plug-in that handles the pitch and time corrections of its big brother, but with fewer advanced features and without the full-featured price tag.
iZotope VocalSynth
Though pitch correction isn't the focus of this iZotope plug-in, it resembles the full Auto-Tune Studio package. At a fraction of the cost of the big boys in this class, VocalSynth doesn't offer the depth of control experienced with either Auto-Tune or Melodyne, yet it still manages to provide a reasonable job of pitch correction.
There's no graphical representation such as Melodyne's or Auto-Tune's graphical mode. That makes fine-tuning performances a little beyond the reach of VocalSynth, but for reasonable performances, it's not a major limitation. Think of the iZotope product as a first-aid kit rather than an emergency department.
The four voice synthesis modules are where the fun resides with VocalSynth. Talkbox, Compuvox, Polyvox and Vocoder modules emulate many of the vocal effects you've heard on hits from a wide range of artists. This is also just the most overt extra in the VocalSynth package.
A variety of additional modules let you tune up or tear up your vocal tracks. Add harmony, filter vocals, create radio and phone effects. These modules can either optimize your track or take it to new and exciting places.
VocalSynth may be the country cousin to the serious pitch manipulators, but it has capability with a high fun factor.
Who Uses Auto-tune
GVST GSnap
Don't let the download page fool you, GSnap is a VST plug-in that works with any DAW platform that supports VST, not simply Windows-based DAWs. Both 32 and 64-bit support is included. Completely free, it does come with limits. While there is more graphic information than iZotope offers, it doesn't offer direct edits.
While not as flexible as pro pitch correction, it's a low-cost alternative for users who can't swing the big time prices. It's difficult to use GSnap subtly. That's not an issue for those seeking pitch correction effects, such as Cher or T-Pain. Backup vocals are also a good candidate.
This is the entry level of pitch correction, and because of that, it's included here. The effect is so ubiquitous that anyone working in the field needs to know how it works. GSnap represents the place to start.
Wrapping It Up
Love it or hate it, pitch correction is here to stay, both as tool and effect. These four plug-ins aren't the only ones out there, but they represent the spectrum of pitch correction treatment. Auto-Tune is the originator. Melodyne is the refinement. It works just as well as the Antares product in nearly every way with an interface that easy to grasp.
iZotope VocalSynth represents the cream of the mid-priced plug-ins. It's capable and creative, even if it's not as flexible on pitch correction as the top-line apps. GSnap represents pitch correction for everyman. You can't knock the price of freeware.
The debate will likely rage over the ethics of pitch correction in popular music. While you wait for the dust to settle, give one of these packages a try.
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